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Thursday 16 June 2016 @ 07:00pm :  -
Rude Mechanical Theatre Co - Macbyrd

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2016 Summer Outdoor Tour - Macbyrd..

It's 1940 in the sleepy Sussex village of Jevington. George, a retired mechanic, cheerfully tends his vegetables (for the war effort) when his wife, Lil, comes out with a cup of tea, a piece of delicious upside-down cake, and… a letter from The War Office. "What's this?" he says. "What's this?". Above in a cotton wool sky, bombers set out across the channel. But clouds are menacing, bubbling up like ink blots above the Downs. Magpies gather, hopping in a circle on their twiggy legs. "What's this?" they cackle. "What's this?" And then, with clattering wings, they seem to screech, "Peck out his eyes! Peck out his eyes!" But it's not to George they croak. A raven, black, and sleek as silk, lands nearby on a branch, head held high and wings outstretched, bouncing like a tight-rope walker. The magpies lower their bodies subserviently. "Your time has come, Macbyrd," they croak. "Listen to the wind!"

Amidst the cabbages, broccoli and comic absurdity, a dark and menacing intrigue simmers as a power struggle breaks out amongst the birds.

"Macbyrd" is a brand new play from The Rudes, and is a comedy thriller. Sixteen of the characters are birds! Don't miss Inspector Seed, a pigeon, as the detective! It is set in 1940 and is about the changes to a small village in rural Sussex, Jevington, brought about by the threat of invasion, it's impact on the local WI, the cricket club, the village play, and on relationships - and on how with the war people must take on new roles. There are two stories which link together.

Up above there is a power struggle among the birds and the swan, symbol of a certain kind of traditional Englishness and social structure, is murdered by the upstart raven, Macbyrd, who resents the swan's snobbish disregard for the poor, the sparrows. Pete Talbot, the writer and director, says, "There are, it has to be admitted, a few echoes of a certain Shakespeare play. Macbyrd is told by the 'gypsy magpies' that his time has come, that 'sleek birds, black against the sky' will rule. In fact change to the village is because a momentous event is going to happen – and I'm not going to tell you what!"

Prejudice amongst the 'oomans puts the death of the swan down to gypsies and among the birds to a foreigner, a rare Indian bushlark which has been swept in by storms. Here's the serious bit. In the same way that Hitler represented a threat to our values, so too in people's perceptions do other things today. How do we deal with these 'threats' and what indeed do our values really consist of and how should we adapt in the face of change? Inevitably base instincts like prejudice surface. In this cauldron of change the play explores the values of ordinariness (the heroism of living an 'ordinary' life as part of a community), leadership, love and adaptivity that remain constants in difficult times. The comedy is partly in the absurdity of the birds' world, but also – and it is a comedy of manners – in the ways of "country folk". So there's a bit of Foyle's War about it and a bit of "The Archers" – plus quite a bit of The Rudes, too. 

The Rude Mechanical Theatre Company

The touring Company was founded in 1997, after seven years as a community based theatre company in Eastbourne, East Sussex. Creative Director Pete Talbot, is a former teacher, who trained in commedia dell'arte with the maestro Antonio Fava at the Scuola Internazionale dell'Attore Comico in Reggio Emilia, Italy. The shows - which are inspired by and deeply rooted in the commedia - are aimed at adults but enjoyed by all ages and are performed both indoors and outdoors. The cast is composed of professional physical theatre actors and actor-musicians trained in mime, clown or commedia. Most members of our team are also musicians, and our original music live music is integrated with the action.

The acting style uses large comic and often acrobatic movement and physical jokes called lazzi and burli, much of it part of a tradition which is hundreds of years old, but using Pedrolino style white faces - pantomime blanche (rather than leather masks) - and bright coloured vibrant 'cartoon-ised' costumes. We literally use the slapstick or battoccio, but our work is not 'merely slapstick'. Poetic solutions to storytelling are never far away and through mime, 'sound texturing' and devices of our own we are constantly looking to exploit the poetic, fantastic and absurd. We are not a 'heritage' company - either English or Italian. We use tools from the tradition - as and when we see fit - to produce new work. Fava calls this use of tradition to create contemporary work commedia parodia.

Links:

www.therudemechanicaltheatre.co.uk
www.facebook.com/rudemechtheatre
www.youtube.com/user/rudemechtheatre

"Commedia dell'arte – the tradition that gave us Mr Punch and the foundations of pantomime – is a rare discipline, even in Italy. But the Rudes have made it their own" ~ Jenny Gilbert, The Independent

"It's a pleasure to see a company so expertly making good 21st century theatre firmly based in an old art form which is such an important strand in the history of our industry" ~ The Stage Magazine

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